Anthropological analysis

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  • There remains a paucity of text literature regarding forensic implications of the lower extremity. Forensic Medicine of the Lower Extremity: Human Identification and Trauma Analysis of the Thigh, Leg, and Foot encompasses human identification, biomechanics, trauma analysis, and new areas for potential forensic research with regard to the thigh, knee, leg, ankle, and foot. Initially, the reader may question what makes the lower extremity different enough from other anatomic regions that it merits a separate text.

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  • When good science makes an advance it pauses and turns to reacquaint itself with the modes of thought that immediately preceded it. Science orients itself with respect to these modes of thought, examines its connections, debts and disputes with them, decides whether it is operating at a different level of analysis and with respect to different interests, conceptualisations and subject matter. The present volume is a case in point of good science in this sense. It addresses medical pluralism, a founding concept of the field of medical anthropology.

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  • When good science makes an advance it pauses and turns to reacquaint itself with the modes of thought that immediately preceded it. Science orients itself with respect to these modes of thought, examines its connections, debts and disputes with them, decides whether it is operating at a different level of analysis and with respect to different interests, conceptualisations and subject matter. The present volume is a case in point of good science in this sense. It addresses medical pluralism, a founding concept of the field of medical anthropology.

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  • The anthropology of aesthetics as I see it, then, consists in the comparative study of valued perceptual experience in different societies. While our common human physiology no doubt results in our having universal, generalized responses to certain stimuli, perception is an active and cognitive process in which cultural factors play a dominant role. Perceptions are cultural phenomena.

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  • The picture of Nilotic visual aesthetics painted here is an analyst’s abstraction. It is founded on the current state of anthropological knowledge concerning the group of peoples which provide the ethnographic focus, peoples who are related linguistically, historically, geographically, and culturally. Further research may reveal significant differences between and amongst the aesthetics of these four peoples. It might, however, also reveal significant similarities between these four peoples and other Nilotic-speaking peoples. The analysis presented here is ahistorical.

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