Xem 1-17 trên 17 kết quả Caricature
  •  (BQ) Learn to draw the fun way! Like almost everyone in the world, you are bursting with raw artistic talent just waiting to be released. In a few deft sweeps of your pencil, capture the character of your 'victim'. Use swift strokes to create a face that has instant appeal. Exaggerate the features to make a comical caricature. Brighten up someone's day with your own tiny bit of magic!"Yes, you can do it," says Mark Linley, "and I show you exactly how!"


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  • The Nose The first step when learning how to draw caricature is the nose. There are many different kinds of noses that you can draw and will cover those in another lesson later. For now just copy the nose that you see on the right. Follow the arrows in the picture when you're doing your own drawing.

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  • Book condition is very good. No jacket issued. Appears unread. Back tail corner creased. Else fine. Over 1800 illustrations of patterns of things to whittle and carve for the beginner or an experienced woodcarver. Index. 188 pages. Bookseller Inventory # 002650 Over 1,000 design ideas for carving Christmas tree ornaments, cookie molds, toys, weathervanes, cigar-store Indians, sundials, caricatures, and many other projects. 1,821 illustrations.

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  • This project explores the process of drawing a caricature from a photo, by utilizing a complex grid. The average drawing time on this type of project generally runs between 20 to 40 hours. To give you an idea of the time I spent on each aspect, I included a brief drawing journal. This lesson is divided into the following six sections: SKETCHING WITH HELP FROM A GRID: You lightly sketch the outline of the subject by utilizing a complex grid to establish the placements of various components....

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  • This heavily illustrated article guides you through one of the processes that I use for drawing a highly detailed caricature. Traditionally speaking, caricatures are rendered from life or memory; however, this particular drawing is done from a photo. This article is divided into the following six sections: Sketching proportions Sketching cartoon hair and a face Refining hairy outlines and adding hairy forms Shading the forehead, eyebrows, and eyes Completing the nose, face, and mouth Final touches...

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  • Church architecture is a contentious field of inquiry. Polemics, dog- matism, and caricature abound. It would be unrealistic to think any book could resolve the controversies, but a fresh look at the most basic questions about churches, their meanings and their uses, may prove useful to all sides. The incentive to write this book was mixed: it grew out of historical interest, but also out of an urge to see more clearly what churches have meant and what they can mean for com- munities that build and use them.

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  • Step 1 For this one I started off with a black undercoat, which I have never done before, and sketched in the outline with thin white paint. Step 2 The black background helps to show the contrast with the face, so, in applying the first layer of colour, I can easily see that the skin tone is too pale, and will need to be deepened. .Step 3 Another layer on the face, but it's still too pink. The shirt wasn't going well, so I decided to paint over it and start again.

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  • The depiction by Moore, Leighton and other artists of languorous women in Greek robes emulating classical sculpture placed greater emphasis on the female body as well as the male for the importance of the physical health of the nation. By the 1880s these artists and their interests were so well known as to be regularly parodied. For example, a cartoon “Art in Olympus: Or the Academia of the Gods,” by Edward Linley Sambourne, in Punch in 1886 depicts Leighton as Zeus in the centre of Olympus, with caricatures of various artists taking the guise of different gods around...

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  • THE CONDITION OF the law attracts the attention of a number of parties, and arouses their passions in different ways. If we permit some caricature, the judge charged with applying the law complains about the difficult state of the law which makes the judicial role so burdensome, but considers that only the judicial mind, honed by practical experience, is capable of dealing effectively with the complexities faced in the law.

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  • The misty myth-woven veil which hangs over persons and events of earlier times, vanishes at the beginning of the modern era which in India starts with the Mohammedan conquest, for henceforth the history of India is written by foreigners. Now we meet with men who take a decisive part in the fate of India, and they appear as sharply outlined, even though generally unpleasing, personalities. Islam has justly been characterized as the caricature of a religion.

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  • I. PRONUNCIATION AND STRESS A. Which word is stressed differently from the others? 1. A. antibiotic B. idiomatic C. verbalization D. incongruity 2. A. vaccine B. taboo C. laughter D. visual 3. A. management B. penicillin C. operation D. medication 4. A. benefit B. complement C. examine D. comical 5. A. donation B. prescription C. determine D. designate B. Which underlined part is pronounced differently? 6. A. caricature B. display C. inspiration D. degrade 7. A. occurred B. prescribed C. inspired D. liked 8. A. benefit B. complement C. brighten D. model 9. A. heal B. treat C. measles D....

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  • The word Caricature does not lend itself easily to precise definition. Etymologically it connects itself with the Italian caricare, to load or charge, thus corresponding precisely in derivation with its French equivalent Charge; and—save a yet earlier reference in Sir Thomas Browne—it first appears, as far as I am aware, in that phrase of No. 537 of the Spectator, "Those burlesque pictures which the Italians call caracaturas."

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  • In a faded and patched blue coat, turned up with red, the bellman of Kinver appeared in the one long street of that small place--if we call it a town we flatter it, if we speak of it as a village we insult it--and began to ring outside the New Inn. A crowd rapidly assembled and before the crier had unfolded the paper from which he proposed reading, an ape of a boy threw himself before him, swinging a turnip by the stalk, assumed an air of pomposity and ingenious caricature of the bellman, and shouted: "O yes! O yes! O yes! Ladies and gents all,...

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  • Animation! This is the vehicle you have chosen to express yourself in. A whole list of "tools" are required: drawing, timing, phrasing, action, acting, pantomime, staging, imagination, observation, interpretation, logic, caricature, creativity, clarity, empathy, and so on—a mind boggling array of prerequisites. Rest at ease. You were born with all of them. Some of them may need a little sharpening, others may need to be awakened as from a deep sleep, but they are as much a part of you as arms, legs, eyes, kidneys, hemoglobin, and speech.

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  • There appeared a few years since a 'Comic History of England,' duly caricaturing and falsifying all our great national events, and representing the English people, for many centuries back, as a mob of fools and knaves, led by the nose in each generation by a few arch- fools and arch-knaves. Some thoughtful persons regarded the book with utter contempt and indignation; it seemed to them a crime to have written it; a proof of 'banausia,' as Aristotle would have called it, only to be outdone by the writing a 'Comic Bible.

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  • Step 1 The first step is to paint an outline onto the black background. I started with a black background again, purely because I had already started another painting which wasn't going well, so I had to paint over it, and I had an abundance of black paint! Step 2 After the rough outline, I block in the eyelids, and the inside of the eyes.

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  • Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation. Hence in the old caricatures the speeches of the characters were written in balloons over their heads, and in the modern an explanation is added underneath. For want of such assistance we lose the greater part of the humour in Hogarth's paintings. We may date the revival of Parody from the fifteenth century, although Dr.

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