Classical drawing

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  • The practice of drawing…distilled to its essential elements.In this elegant and inspiring primer, master contemporary artist and author Juliette Aristides breaks down the drawing process into small, manageable lessons; introduces time-tested principles and techniques that

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  • The illustrator Andrew Loomis (1892-1959) is revered amongst artists - including the great American painter Norman Rockwell and comics superstar Alex Ross - for his mastery of figure drawing and clean, Realist style. His hugely influential series of art instruction books have never been bettered. Drawing the Head and Hands is the second in Titan's programme of facsimile editions, returning these classic titles to print for the first time in decades.

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  • The present work is designed to supply a want which still exists in our School Classical Literature. It has been represented to the editor, from several quarters, that his Larger Classical Dictionary, though well adapted for the use of the higher forms in the public schools, is excluded, both by its size and price, from a great number of schools, which are therefore obliged to put up with the abridgments of Lempriere's obsolete work. In consequence of these representations, the editor has been induced to draw up this Smaller Dictionary....

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  • Day or night, learning how to draw a cartoon owl will help your creative skills soar! Follow our simple steps to drawing one of the wisest and most intriguing birds on Earth. Twit twoo! Since the days of Ancient Greece, mankind has associated owls with wisdom and mystery. However, there’s nothing mysterious about our step-by-step guide to drawing one of our feathered friends – follow these instructions and you’ll soon be flying high! Owls have featured in a wide range of cartoons and films, from Disney classics right up to the present day Harry Potter epics. And soon, you’ll...

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  • Originally publiished in 1847 this classic book contains a guide to drawing, aimed at both the amateur and professional. This book would be great for anyone wishing to learn a more classic style of drawing, but also for the beginner as it has much to teach about the basic principles of the art. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

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  • Skull drawings are a part of classic tattoo designs. They appear in almost all tattoo art and styles, including Hindu and Buddhist. Skulls are also a pretty significant part of religious art as well. There are many ways to interpret the skull. Shape The same tips for how to draw a face can be applied to creating skull drawings. The proportions are obviously the same, as the skull is what gives the face its underlying shape. The only difference is that there is no cartilage to be drawn on the skull. ...

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  • THE Universe is governed by Law - one great Law. Its manifestations are multiform, but viewed from the Ultimate there is but one Law. We are familiar with some of its manifestations, but are almost totally ignorant of certain others. Still we are learning a little more every day - the veil is being gradually lifted. We speak learnedly of the Law of Gravitation, but ignore that equally wonderful manifestation, THE LAW OF ATTRACTION IN THE THOUGHT WORLD.

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  • In this book, Alexander Parmington combines an examination of space, access control, and sculptural themes and placement to propose how images and texts controlled movement in ClassicMaya cities. Using Palenque as a case study, this book analyzes specific building groups and corresponding sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the most accessible and thereforemore public and which spaces weremore segregated and consequently more private, Dr.

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  • Ursula and Gudrun Brangwen sat one morning in the window-bay of their father’s house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds. ‘Ursula,’ said Gudrun, ‘don’t you REALLY WANT to get married?’ Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate. ‘I don’t know,’ she replied. ‘It depends how you mean.’ Gudrun was slightly taken aback.

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  • As with all good Windows programs — and AutoCAD is a very good Windows program — you can make your drawings appear on-screen in numerous ways. For a start, there’s the . . . er, Start button, the one that Mick and the Rolling Stones sang about way back when Bill Gates launched Windows 95 on an unsuspecting world. To get to AutoCAD 2007 (or AutoCAD LT 2007), you click Start➪Programs➪Autodesk➪AutoCAD 2007➪AutoCAD 2007. (You can tell you’re at the end of the line because the last AutoCAD 2007 has a unique pro- gram icon rather than a generic folder icon beside it.

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  • The aim of this book is to illuminate the essential activity of translation from a number of perspectives: historical and contemporary, theoretical and practical. At the same time, the contents of the present volume speak in many modes and voices to literary and cultural history, and to cross-cultural relations through the ages.The book draws on several hundred texts, translations, and texts about translation, ranging from classical antiquity to the present.

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  • Thanks to Mr. S. M. Mitra, the well-known Hindu psychologist and politician, who has done so much to draw more closely together the land of his birth and that of his adoption, I am able to bring within reach of English children a number of typical Hindu Tales, translated by him from the Sanskrit, some of them culled from the ancient classics of India, others from widely separated sources. The latter have hitherto been quite inaccessible to western students, as they are not yet embodied in literature, but have been transmitted orally from generation to generation for many centuries....

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  • There are no criteria available to judge the quality of these crea- tive expressions, because, as Wall states, aesthetic criteria are only valid within the classic disciplines—painting, drawing, sculpture, the graphic arts, and photography. These ‘canonical forms’ are still thriving, by the way, in spite of all efforts by artists to subvert them from within; but they thrive as a separate sector within contempo- rary art, as a genre with its own laws and standards.

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  • The protracted struggle between science and the classics appears to be drawing to a close, with victory about to perch on the banner of science, as a perusal of almost any university or college catalogue shows. While a limited knowledge of both Greek and Latin is important for the correct use of our own language, the amount till recently required, in my judgment, has been absurdly out of proportion to the intrinsic value of these branches, or perhaps more correctly roots, of study.

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