Xem 1-20 trên 1850 kết quả Figures
  • Phần 1 cuốn sách "Facts and Figures – Basic reading practice" hướng dẫn người đọc các bài ôn tập và luyện thi Anh văn có kèm theo lời giải, các đề thi mẫu ở trình độ A ở các kỳ thi tiếng Anh. Đây là một tài liệu hữu ích dành cho các bạn đang học và ôn thi tiếng Anh dùng làm tư liệu ôn tập và nghiên cứu. Mời các bạn cùng tham khảo để nắm bắt nội dung chi tiết.

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  • Nối tiếp nội dung của phần 1, phần 2 cuốn sách "Facts and Figures – Basic reading practice" giới thiệu tới người đọc các bài thi mẫu tiếng Anh trình độ A, phần dịch và chú giải những điều cần lưu ý, phần từ vựng và phần bài tập chia động từ. Đây là một tài liệu hữu ích dành cho các bạn đang học và ôn thi tiếng Anh dùng làm tư liệu ôn tập và nghiên cứu. Mời các bạn cùng tham khảo nội dung phần 2 của cuốn sách.

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  • Some areas of the figure are complex enough to warrant special attention by the figure artist because they are more difficult to draw than the rest of the figure. These areas are the head, hands, and feet, and they merit special attention from the artist who really wants to master figure drawing. In this chapter we will take a closer look at each of these aspects of the figure. Hands The human hand is probably the most versatile tool ever created. It is capable of great strength, yet it can perform the most delicate operations. Its design allows people to lift, hold,...

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  • Light is essential to sight. Without light there is no sight, at least not with our natural eyes. Because figure drawing begins with seeing, a book about figure drawing should have some significant information on the nature of light and how our eyes perceive it. Understanding how light works on objects in a scene helps the artist create a feeling of depth and substance in a drawing. In Figure 7.1 the lighting on the dress indicates that it is a dark satin material. In nature the artist often doesn’t have much control over the lighting of a scene. About...

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thuật hội họa - Figure Drawing Without A Model - Drawing from Life

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  • Understanding human anatomy will help you achieve greater expressive ability in figure drawing. By understanding the many different aspects of the human form, you can better grasp how the figure works as a whole. For example, if you feel along the bone on the lower part of your jaw, you will notice that there is a small indentation about halfway between the chin and the back of the jaw. This indentation is to allow a blood vessel to pass under the jaw. The indentation helps to protect the vessel. The significance of this little indentation is that it affects the...

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thuật hội họa - Figure Drawing Without A Model - Character and Expression

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  • In this chapter I will cover how to construct the figure using some simplified methods to make the process of drawing a little easier. I will start by showing you how to build a simple structure as the basis for defining dimension and proportion. This structure will become the foundation of your figure drawings. You will then be able to use it to develop a finished figure drawing. Drawing from the Inside Out At the beginning of every figure drawing, the artist is faced with a daunting task in defining a subject that is painfully complex yet supremely organized. Without initially...

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thuật hội họa - Figure Drawing Without A Model - Drawing on the Inmagination

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - The figure in Action

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  • The human figure is an expressive form. Often you can tell what people are thinking by how they stand or hold themselves. When doing figure drawings, you will be confronted with the choice of how to pose your figures. This decision can be critical to the success of the drawing. Look at the difference between the stances shown in Figure 5.1. Can you describe the emotion of each figure? The human body has an expressiveness that communicates through an unspoken language often referred to as body language. As an artist, you must learn this language and become as expressive with...

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - Structure and Proportion

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  • What to put into the drawing 2. How to arrange the elements in the drawing These two major decisions are the foundation of composition. From an artistic standpoint, composition means the arrangement or design of a picture. It is the process of selecting what to draw and then deciding how to draw it. In the last chapter, we covered posing the figure, which is an element of composition but does not take into account the rest of the picture area.

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  • Figure Artist brings a whole new dimension to posing a figure that would be nearly impossible in real life. With Figure Artist, the ability to catch an action pose is limitless. In real-life situations, about the best an artist can do is ask the model to perform an action and then try to capture the action with a camera, which is a haphazard approach at best. Figure 8.1 shows a pose taken from a model in Figure Artist that would be impossible for a live model to hold for more than a fraction of a second. This chapter deals with...

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  • One of the greatest challenges to confront an artist is drawing the human figure. Our bodies are infinitely complex yet intimately familiar, giving rise to a subject that is difficult to depict accurately yet judged incessantly. The human figure is almost overwhelmingly complex for the artist to draw. The human figure is an organic structure that defies geometric simplification. It is composed of bones, muscles, and organs, all of which are covered by a flexible layer of skin. The body has many moving parts that make it almost impossible to define as a shape. Within its skeleton are more...

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - Graphic Narrative

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - Picture Conposition

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  • Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - Practice

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  • Shape-mass, on the other hand, demands to be understood as volume structure in three dimensions; this makes it possible to draw the figure in deep space projections, putting the human form into the most inventive and varied conceptions of foreshortening, advancing and receding in space. Conceiving the figure as shape-mass permits the artist to manipulate the figure creatively, part by part, making changes according to his desire.

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  • Tài liệu tham khảo bằng tiếng Anh về hội họa - Fantasic Figures - SCULPTING THE HEAD

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