Motion picture

Xem 1-20 trên 38 kết quả Motion picture
  • Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài: Research Article Removal of Color Scratches from Old Motion Picture Films Exploiting Human Perception

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  • The Academy Awards have been broadcast on television since 1953, when the show was sponsored by RCA Victor and televised by NBC. (Levy, 24) The show is currently contracted to the ABC network and has consistently captured very large audiences. The impact of Academy Awards on films and their creators has been widely discussed. As Emanuel Levy notes, [W]inning an Oscar means not only prestige but hard cash at the box office. Winning the Best Picture award can add up to twenty or thirty million dollars in movie ticket sales....

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  • Bits and Byte đã thay đổi cả thế giới, khám phá này đã đưa (PC) Personal Computer ra đời, quả là một sự kỳ diệu phải không bạn? và cũng kể từ ngày đó, thế giới chúng ta liên tiếp chuyển mình và phát minh ra các công nghệ khác làm ảnh hưởng đến tầm vóc lớn lao của các kỹ nghệ liên đới như Internet. Communication, Medical, Printing, Motion Picture, Music. Video, Digital images, (hình ảnh KTS) etc….

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  • In motion pictures, the leader of a motorcycle gang or criminal syndicate is usually portrayed as a tough, aggressive person who, as he smokes, tilts his head back sharply and with controlled precision blows the smoke awards the ceiling to demonstrate his superiority to the rest of the gang. In contrast, Humphrey Bogart was often cast as a gangster or criminal who always held his cigarette inverted in his hand and blew the smoke own from the corner of his mouth as he fanned a gaol break or other devious activity. There also appears to be a relationship between how...

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  • Bức tượng mạ vàng nhỏ xíu được cả thế giới biết đến với tên gọi Oscar đã trở thành biểu tượng của Hollywood hơn 80 năm qua, nhưng khởi nguồn của cái tên đó không phải ai cũng biết. Giải thưởng điện ảnh Oscar hay còn được biết đến với cái tên Academy Award of Merit chính là con đẻ của Academy of Motion Picture Arts and Sciences (Viện Hàn lâm khoa học và nghệ thuật điện ảnh) vốn được ra đời từ năm 1927, khi nền công nghiệp điện ảnh vẫn còn rất nhỏ bé.

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  • The price of cinema was probably an important factor for the kind of audience it interested. Before the Nickelodeon prices varied, from a dollar or more for the first special Lumière events, to a few cents to fifty cents for a travelling showman (Musser 1990: 299). But in general, the market was in too turbulent a condition to put a reliable average price on motion picture watching. This even harder because they were often part of live entertainment. The prices the Nickelodeon charged were between five and ten cents, which often enabled the spectator to stay...

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  • Representative audience surveys on early motion picture audiences are lacking, and modern market research was not yet done by the emerging movie companies (Bakker 2003). The only information available is from the press and trade press and from company sources. Before the era of fixed cinemas emerged, probably a dual audience existed. At the high end was the upper middle class, who saw the first shows of Lumière’s cinematograph probably in a legitimate theatre, as a special event, and later on between the live-acts in big-time vaudeville.

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  • The representation of drug treatment in America can affect society in several ways, including stigmatization. Elizabeth Hirschman (1992), in her study of cocaine use in films, argues that "motion pictures which focus upon addiction can serve as instructive, semiotically-rich texts for communicating cultural knowledge about addiction" (p. 428). This communication is not simply one-way, though; it exists as a continual feedback loop, with movies "both reflect[ing] and shape[ing] individual and societal values, attitudes, and behavior" (Wedding, 2000, p. 3).

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  • Hollywood submitted to the rigorous oversight of the PCA because the alternatives to “censorship at the source” were far worse. After all, censorship had been a fact of creative and commercial life for motion picture producers from the very birth of the medium, when even the modest osculations of the middle-aged lovebirds in Thomas Edison’s The Kiss (1896) scandalized cadres of (literally) Victorian ministers, matrons, and other variants of a sour-faced species known as the “bluenose.

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  • leave/let well enough alone - be satisfied with something that is good enough "You should leave well enough alone and be happy with your work schedule the way it is." leave word with (someone) - leave a message with someone I left word with my father to have my mother phone me tonight. . a left-handed compliment - an ambiguous compliment interpreted as offensive He gave her a left-handed compliment when he said that her dyed hair looked nice. a leg man - someone who performs messenger services, an errand boy He was working as a leg man for the motion picture company.

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  • The price premium charged for competitive-market products depends on several factors including the price of standard offer or default service, the availability of incentives to green power marketers or suppliers, and the cost of renewable energy generation available in the regional market. Some marketers have charged prices close to or even below the default market price in recent years (e.g., in Texas); others have offered fixed-price products, providing customers with protection against increasing prices for a specified period of time, usually one year.

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  • The scanning format of a video signal is a major determinant of general picture quality. Specifically, it determines such aspects as stationary and dynamic resolution, motion portrayal, aliasing, scanning structure visibility, and flicker.

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  • About Westlake: Donald Edwin Westlake (born July 12, 1933, in Brooklyn, New York) is a prolific American novelist, with over a hundred books to his credit. He specializes in crime fiction, especially comic capers with an occasional foray into science fiction. He is a three-time Edgar Award winner, one of only two writers (the other is Joe Gores) to win Edgars in three different categories (1968, Best Novel, God Save the Mark; 1990, Best Short Story, "Too Many Crooks"; 1991, Best Motion Picture Screenplay, The Grifters).

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  • In January 1954, Billboard, the leading US music and entertainment journal, reported on an exclusive contract between the American record company Tempo Records and the government-owned radio station in Afghanistan, Radio Kabul. The contract guaranteed exclusive recording rights in Afghanistan. During a five-month trip around India, Pakistan and Afghanistan, Irving Fogel, President of Tempo Records at the time, collected original indigenous music.

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  • This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It takes as starting point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle.

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  • In pursuit of a more engaging experience, one might be tempted to sit closer to a 2K presentation. But moving closer than 3.16 PH causes unwanted on-screen artifacts to become more obvious. The illusion of a continuous image begins to break down as individual pixels become evident. Subjects that present fine detail such as motion picture credits will appear especially rough. Image diagonals will appear jagged. And gaps between the pixels may also become visible. This is called “screen door effect” because viewing the movie becomes like looking through a screen door. ...

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  • A third way to define power is in terms of the ability to structure an environment of choice, to determine the “rules of the game” of some sphere of human activity. Also called structural power, this notion focuses on how individuals or groups of individuals influence “regimes” –sets of rules, norms, procedures, and institutions in a particular area. An example of structural power would be the ability of the Motion Picture Association to prevent government censorship of movies by adopting a variety of self- regulatory measures (such as voluntary ratings schemes)....

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  • Under the U.S. Constitution, the censors had every right to wield their scissors at whatever offended their eyes. In 1915, in Mutual Film Corporation v. Industrial Commission of Ohio, the Supreme Court ruled that the movies were not a revolutionary new communications medium but “a business, pure and simple, originated and conducted for profit, like other spectacles, not to be regarded … as part of the press of the country, or as organs of public opinion.

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  • Picture Association of America, the MPAA), and appointed as its president Will H. Hays, the former postmaster general in the administration of Warren G. Harding and an upright, teetotaling elder of the Presbyterian Church. Hays put the industry on a solid financial basis with his contacts on Wall Street, kept federal censors at bay with his influence in Washington, D.C, and placated the moral guardians with soothing words and Protestant probity.

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  • To placate the resurgent opposition, the MPPDA promised to abide by a set of guidelines more extensive and restrictive than the simple nostrums enshrined in the “Don’ts and Be Carefuls.” The document that articulated the new commitment to screen morality was the Production Code. Written in 1929 by Martin J. Quigley, an influential editor and publisher of motion picture trade periodicals, and Reverend Daniel A. Lord, a multitalented Jesuit who first lent his spiritual expertise to Hollywood as the Catholic advisor to Cecil B.

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