Xem 1-9 trên 9 kết quả Pure events
  • Many studies of system logs treat them as sources of failure events. Log analysis of system errors typically involves classifying log messages based on the preset severity level of the reported error, and on tokens and their positions in the text of the message [14] [11]. More sophisticated analysis has included the study of the statistical properties of reported failure events to localize and predict faults [15] [11] [9] and mining pat- terns from multiple log events [8].

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  • Humans are visual creatures’, it is common to observe. Our reliance upon vision is apparent in the way we navigate and react to our surroundings. We fumble in the dark and instinctively turn to look at the sources of sounds. Visual information also occupies a privileged epistemic role, and our language frequently reflects a tight coupling of seeing with knowing. We evaluate views, have insights, and see what is at issue. Perhaps most telling is the greater fear many admit at the prospect of losing sight over any other sense.

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  • The precursors of object-oriented programming can be traced back to the late 1960's: Classes, inheritance and virtual member functions were integral features of Simula67, a programming language that was mainly used for writing event-driven simulations. When Smalltalk first appeared back in 1972, it offered a pure object-oriented programming environment. In fact, Smalltalk defined object-oriented programming. This style of programming was so innovative and revolutionary at the time that it took more than a decade for it to become a standard in the software industry.

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  • What the described event marks is a moment where an expectation is shattered: the composer, who expected to become a big success in the French capital, had his art rejected by one of the most important figures from the city’s artistic scene. An event such as this is criss-crossed by innumerable social vectors. On one hand, a foreign artist, fresh from the ‘periphery,’ a recent arrival in the great cultural centre of the period; on the other, a Parisian artist completely established and at home in his setting.

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  • A Companion Volume to the Best Selling “Ultimate Investment” By H. Bradley Stucki Smashwords Edition This book is a work of fiction. All the events and characters portrayed in this book are fictional, and any resemblance to real people or incidents are purely coincidental. Copyright August 2012 by H. Bradley Stucki. All rights reserved. This ebook is licensed for your personal enjoyment only. This ebook may not be resold or given away to other people. If you would like to share this ebook with another person, please purchase an additional copy for each recipient.

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  • There is no denying that such feelings of aesthetic pleasure may exist, indeed that they do exist. The problem is to see where they come from. Matters are, at least from the philosophical point of view, still relatively simple where we have to deal with feelings of aesthetic pleasure directed towards aesthetic objects in the first two categories of simple sensations and purely formal Gestalten.

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  • The purpose of this paper is to present in a uni¯ed context the reduced form modelling approach, in which a credit event is modelled as a totally inaccessible stopping time. Once the general framework is introduced (frequently referred to as \pure intensity" set-up), we focus on the special case where the full information at the disposal of the traders may be split in two sub-¯ltrations, one of them carrying the full information of the occurrence of the credit event (in general referred to as \hazard process" approach).

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  • .Copyright © 2009-2010 by Jacquelyn Wheeler. Some rights reserved. This work is licensed under the Creative Commons Attribution-NoncommercialNo Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. This is a work of fiction. Any resemblance of the characters or events portrayed to any person or entity, living or dead, is purely coincidental and unintended. Second Edition ISBN 978-0-9825160-6-5 ....

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  • A semantics of linguistic categories like tense, aspect, and certain temporal adverbials, and a theory of their use in defining the temporal relations of events, both require a more complex structure on the domain underlying the meaning representations than is commonly assumed. The paper proposes an ontology based on such notions as causation and consequence, rather than on purely temporal primitives.

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