Sculpture specific study

Xem 1-12 trên 12 kết quả Sculpture specific study
  • What accents itself in the mind of the layman who makes even a cursory study of the sculptors and their works at the Panama-Pacific International Exposition is the fine, inspiring sincerity and uplift that each man brings to his work. One cannot be a great sculptor otherwise. The sculptor's work calls for steadfastness of purpose through long years of study, acute observation, the highest standards, fine intellectual ability and above all a decided universalism - otherwise the world soon passes him by. It is astonishing to see brought together the work of so many really great sculptors.

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  • I must pray the readers of the following Lectures to remember that the duty at present laid on me at Oxford is of an exceptionally complex character. Directly, it is to awaken the interest of my pupils in a study which they have hitherto found unattractive, and imagined to be useless; but more imperatively, it is to define the principles by which the study itself should be guided; and to vindicate their security against the doubts with which frequent discussion has lately incumbered a subject which all think themselves competent to discuss. The possibility of such vindication is, of...

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  • The entrance on my duty for to-day begins the fourth year of my official work in Oxford; and I doubt not that some of my audience are asking themselves, very doubtfully—at all events, I ask myself, very anxiously—what has been done. For practical result, I have not much to show. I announced, a fortnight since, that I would meet, the day before yesterday, any gentleman who wished to attend this course for purposes of study. My class, so minded, numbers four, of whom three wish to be artists, and ought not therefore, by rights, to be at Oxford at...

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  • Tham khảo sách 'title: a history of art for beginners and students: painting, sculpture, architecture painting', khoa học xã hội, lịch sử văn hoá phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả

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  • Thomas Bewick has been acclaimed as the pioneer of modern wood engraving whose genius brought this popular medium to prominence. This study shows that certain technological developments prepared a path for Bewick and helped give his work its unique character. THE AUTHOR: Jacob Kainen is curator of graphic arts, Museum of History and Technology, in the Smithsonian Institution's United States National Museum. No other artist has approached Thomas Bewick (1753-1828) as the chronicler of English rustic life.

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  • A Walk with an Architect About the Courts and Palaces of the Panama Pacific International ExposItion with a Discussion of Its Architecture Its Sculpture - Its Mural Decorations Its Coloring - And Its Lighting Preceded by a History of Its Growth by John D. Barry To the architects, the artists and the artisans and to the men of affairs who sustained them in the cooperative work that created an exposition of surpassing beauty, unique among the expositions of the world. Contents Chapter Preface Introduction I. The View from the Hill II. ...

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  • The want of an interesting work on Greek and Roman mythology, suitable for the requirements of both boys and girls, has long been recognized by the principals of our advanced schools. The study of the classics themselves, even where the attainments of the pupil have rendered this feasible, has not been found altogether successful in giving to the student a clear and succinct idea of the religious beliefs of the ancients, and it has been suggested that a work which would so deal with the subject as to render it at once interesting and instructive would be hailed as...

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  • ENGR AV ING is one of the fine arts, and in this beautiful family has been the especial handmaiden of painting. Another sister is now coming forward to join this service, lending to it the charm of color. If, in our day, the "chromo" can do more than engraving, it cannot impair the value of the early masters. With them there is no rivalry or competition. Historically, as well as æsthetically, they will be masters always. Everybody knows something of engraving, as of printing, with which it was associated in origin. School-books, illustrated papers, and shop windows are the...

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  • This back-and-forth iteration in building a model is like sculpting: you are chipping away a little bit here, and a little bit there, hoping to nd what's really inside that stubborn block of marble. I choose the analogy with sculpting purposely: like sculpture most of the work in building a model doesn't consist of adding things, it consists of subtracting them. This is the most fun part of modeling, and it can be very exciting when the form of the idea really begins to take shape. I normally walk around in a bit of a daze at this stage; and I try not to get too...

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  • AN attempt is made in the following pages to determine the position and character of Donatello's art in relation to that of his contemporaries and successors. The subject must be familiar to many who have visited Florence, but no critical work on the subject has been published in English. I have therefore quoted as many authorities as possible in order to assist those who may wish to look further into problems which are still unsettled. Most of the books to which reference is made can be consulted in the Art Library at South Kensington, and in the British Museum....

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  • Tham khảo sách 'diecasting', văn hoá - nghệ thuật, điêu khắc - hội họa phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả

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  • No one can speak with exactness as to the time when sculpture was first practised by the Egyptians; we only know that it was a very long time ago. But we do know that in the time of the twelfth dynasty, which dates from 2466 B.C., sculpture had reached a stage of excellence such as could only have resulted from the experience of many years of training and practice in this art. In the Egyptian collection of the Louvre, at Paris, there is the memorial stone of an old Egyptian sculptor which has an inscription that reads as if he had written it himself; this...

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