Sounding the event

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  • A little note For some time now I have been bothered by the question of what constitutes an event. Yes, I have been bothered and the bother has made me prick up my ears to listen out for theories of the event. I have been listening, but I've also been looking, and in listening and looking I have found that...

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  • This paper presents a new mechanism that allows the application to register its interest in a specific event, and then efficiently collect the notification of the event at a later time. The set of events that this mechanism covers is shown to include not only those described above, but may also be extended to unforeseen event sources with no modification to the API. The rest of this paper is structured as follows: Section 2 examines where the central bottleneck of poll() and se- lect() is, Section 3 explains the design goals, and Section 4 presents the API of new mechanism.

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  • Many instructors use these allusions as part of their classes, asking students if they know what they refer to, or, if a joke is involved, whether or not they get the joke. Here’s an example from page 3: “Pandora stared curiously at the box in her hand.” Instructors can use this sentence as they would any other sentence in the practice (underlining nouns), or they can stop for a moment and ask if anyone knows whether Pandora opened that box—or if she should open the box.

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  • Most pipelines are operated twenty-four hours a day from a control station, using telephone, satellite, or microwave communications systems. Computers are widely used to monitor conditions along the line every ten to sixty seconds, sounding an alarm if they detect any abnormality or sudden change in pressure. In the event of an alarm, valves can be closed and nearby pipeline crews dispatched within minutes.

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  • In regard to the relatively trivial examples of aesthetic objects treated so far, our pleasure rested in each case on an intuitive presentation of something external (on the presentation of `physical phenomena' in Brentano's sense). We have now, however, reached a point where we must turn inward and consider the feelings of higher order aesthetic pleasure which are provoked by our presentations of mental, and particular emotional, phenomena themselves.

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  • Humans are visual creatures’, it is common to observe. Our reliance upon vision is apparent in the way we navigate and react to our surroundings. We fumble in the dark and instinctively turn to look at the sources of sounds. Visual information also occupies a privileged epistemic role, and our language frequently reflects a tight coupling of seeing with knowing. We evaluate views, have insights, and see what is at issue. Perhaps most telling is the greater fear many admit at the prospect of losing sight over any other sense.

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  • In the event that the hearing aid provides inadequate rehabilitation, cochlear implants may be appropriate. Criteria for implantation include severe to profound hearing loss with word recognition score ≤30% under best aided conditions. Worldwide, 20,000 deaf individuals (including 4000 children) have received cochlear implants. Cochlear implants are neural prostheses that convert sound energy to electrical energy and can be used to stimulate the auditory division of the eighth nerve directly.

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  • FORTY years have passed since the first German-language edition of this volume was published. In the course of these four decades the world has gone through many disasters and catastrophes. The policies that brought about these unfortunate events have also affected the nations' currency systems. Sound money gave way to progressively depreciating fiat money. All countries are to-day vexed by inflation and threatened by the gloomy prospect of a complete break-down of their currencies.

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  • have often been asked to write my life, as those who know me know that it has been an eventful one. At last I have acceded to the importunities of my friends, and have hastily sketched some of the striking incidents that go to make up my history. My life, so full of romance, may sound like a dream to the matter-of-fact reader, nevertheless everything I have written is strictly true; much has been omitted, but nothing has been exaggerated. In writing as I have done, I am well aware that I have invited criticism; but before the critic judges harshly, let my explanation be...

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  • An event—be it a networking gathering, open house, fundraiser, or class—is by nature, a social affair. People attend to connect, interact, and share with their peers. People join social media networks such as Facebook, Twitter, and LinkedIn to connect, interact, and share with their peers. Sound familiar? Given their similar natures, it makes perfect sense to use social media to help plan, promote, and build excitement for any public event you’re hosting.

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  • Sound networking abilities are essential in a knowledge-based society. In consequence, people with broad and effective networks are usually both successful and in demand. Futurologists tell us that in time to come, the route to success will be ever more dependent on wide and relevant networks - you will have problems if you just sit back and hope that everything will work out. Read more at ...

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  • Regulators interviewed for this study noted that the examination philosophy was to identify adherence to rules and regulations, not adherence to general principles of safety and soundness. Because most S&L assets were fixed-rate home mortgages, credit-quality problems were rare. Loan evaluations were appraisal driven, and in the past the value of collateral had consistently appreciated. Thus, losses on home mortgages were rare, even in the event of foreclosure.

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  • Chapter 23 - The cardiovascular system. After studying this chapter you will be able to: Describe the structure of the heart and the function of each part, trace the flow of blood through the heart. list the most common heart sounds and what events produce them, explain how heart rate is controlled by the electrical conduction system of the heart,...

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  • It was in June 1980 that the world saw the birth of Cable News Network ( CNN ) – the world’s first 24 hour news channel, thereby heralding the new era of immediacy and linking the world to major events, no matter where they occurred. The tagline ‘It is always primetime somewhere’ best summed up the ambitions of the founder of this new cable network Ted Turner. The word immediacy may sound archaic and blasé in our WWW and Twitterized world but it needed great vision and courage in Ted Turner to think of launching a 24 – hour news channel at that time. The...

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  • Visualizing Sound Data The Waveform class The first dozen or so lines of the Waveform class will be familiar to you if you’ve been reading this book linearly. Line 1 declares the class’s package path as this class is part of the learningactionscript3 code library developed throughout this book. Lines 3 through 7 import all the other classes required by this class. Line 9 declares the class and extends Sprite so it can inherit all accessible properties, methods, and events from the Sprite class.

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  • Readings for the course are attached. The readings come from a series of articles provided in a bulk pack. The volume of material is not overly burdensome for a course of this type, but some of the material is difficult. All readings should be done prior to the class for which it is assigned. In general, I have tried to pair academic papers with recent industry reports, with the goal of marrying sound theory and empirical analysis with relevant current events and practices. Class sessions are organized with the same goal in mind. ...

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  • The emphasis on sensuous elements and on Gestalten founded thereon makes it clear that Witasek's position is a formalist one. The `meanings' of works of art will have no role to play within his theory. He has not even left room in his classification of aesthetic objects for what we might call narrative entities: states of affairs, events, actions, etc., making up what we normally think of as plot. There are of course many works of art whose adequate appreciation requires that we go beyond the level of light, colour, shadow and sound, and...

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  • Bạn có thể gắn âm thanh vào cho các nút để tạo cho chúng tương tác hơn. Bạn có thể sử dụng âm thanh trong các thư viện chia sẻ (Shared Library) để liên kết âm thanh từ một thư viện đến nhiều đoạn phim. Ngoài ra bạn có thể dùng âm thanh trong các đối tượng Sound. Trong Flash có 2 loại âm thanh : Event sound và Stream sound.

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  • Bạn có thể tạo ra âm thanh phát liên tục, độc lập trên thanh thước Timeline hoặc bạn có thể đồng bộ hoá ảnh chuyển động vào track âm thanh. Bạn có thể gắn âm thanh vào cho các nút để tạo cho chúng tương tác hơn. Bạn có thể sử dụng âm thanh trong các thư viện chia sẻ (Shared Library) để liên kết âm thanh từ một thư viện đến nhiều đoạn phim. Ngoài ra bạn có thể dùng âm thanh trong các đối tượng Sound. Trong Flash có 2 loại âm thanh : Event sound và Stream...

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