Cultural phenomena

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  • In the late 1970s a new academic discipline was born: Translation Studies. We could not read literature in translation, it was argued, without asking ourselves if linguistics and cultural phenomena really were ‘translatable’ and exploring in some depth the concept of ‘equivalence’. When Susan Bassnett’s Translation Studies appeared in the New Accents series, it quickly became the one introduction every student and interested reader had to own.

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  • Cultural symbols are each race’s moral and spiritual values or those of their belief. The symbols always consist of meanings of things or phenomena. Among cultural symbols of ethnic groups in Tay Nguyen (the Central Highlands) are the noun “ơi Adai”, the Rông house (communal house), gongs, the musical instruments of Tơrưng, Đinh Pă, the drum, gùi (open backpack), the rice ear, gơl column, buffalo lasso, axe blade, patterns of brocatelle, the gourd… The symbols have been acculturated with Catholicism and Protestantism.

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  • Science arises from the very human desire to understand and control the world. Over the course of history, we humans have gradually built up a grand edifice of knowledge that enables us to predict, to varying extents, the weather, the motions of the planets, solar and lunar eclipses, the courses of diseases, the rise and fall of economic growth, the stages of language development in children, and a vast panorama of other natural, social, and cultural phenomena. More recently we have even come to understand some fundamental limits to our abilities to predict.

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  • Tham khảo sách 'stock options and the new rules of corporate accountability', kinh doanh - tiếp thị, quản trị kinh doanh phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả

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  • The anthropology of aesthetics as I see it, then, consists in the comparative study of valued perceptual experience in different societies. While our common human physiology no doubt results in our having universal, generalized responses to certain stimuli, perception is an active and cognitive process in which cultural factors play a dominant role. Perceptions are cultural phenomena.

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  • We believe that two fundamental developments afforded researchers a third chance to consolidate the field of neuroaesthet- ics around the turn of the millennium. First, the notion of a single special mechanism underlying aesthetic experiences has been dropped in favor of the view that aesthetic appreciation and re- lated phenomena rely on several general mechanisms, including processes of perception, memory, attention, decision-making, and reward and emotion (Chatterjee, 2004a; Leder, Belke, Oeberst, & Augustin, 2004).

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  • For a theoretical inquiry into the course of civilized life as it runs in the immediate present, therefore, aud as it is running into the proximate future, no single factor in the cultural situation has an importance equal to that of the business man and his work. This of course applies with peculiar force to an inquiry into the economic life of a modem community. In so far as the theorist aims to explain the specifically modern economic phenomena, his line of approach must be from the businessman's standpoint, since it is from that standpoint...

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