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The art of judging

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  • Eliot’s criticism seems to be assured of an even more permanent and significant place in the history of English literature than his poetry.He played a significant part in the reassessment of the past writers to suit the modern sensibility His anti-romantic insistence on an outside authority as against the inner voice brought afresh attitude to English criticism. He absorbed various influences from the past, but absorbed them so well that they have become a part of him.

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  • The contents of this chapter include all of the following: Towards the end Aristotle turns his attention to epic poetry, mimesis of epic poetry is in verse told in narrative way.

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  • Wordsworth has described the theory of poetry and his conception of the function of a poet.In his theory of poetry he set down the origin,nature and purpose of poetry and the function of the poet in a civil society.

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  • Wordsworth’s theory of poetic diction was a result of desire to find a suitable language for the new territory of human life which was conquering for period treatment. He brought out the lyrical Ballads”With a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purpose of poetic pleasure”

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  • The contents of this chapter include all of the following: Coleridge does not give his clear cut conception of Poetry but we have ascertained from his Biographia Literia. For Wordsworth the vitalityof the poet’s perception seemed to guarantee both its own justness and liveliness, and the whole from content problem is left in the air.In attempting to remedy this defect in Wordsworth argument.Coleridge puts the philosophical inquiry into the nature and value of poetry on an entirely new footing.

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  • As in the Biographia Literaria the definition of poetry does not get itself written without the aid of conscious will and understanding.So too the pleasure attached to the poetic emotion or excitement is not merely a sympathy with the objects emotion or incidents contemplated by the poet but is also the pleasure of the mind in the exhibition of its powers for their own sake . It is a pleasure peculiar to poetry as poetic emotion is peculiar.

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  • In every age there have been critics and there have been criticism but it is only after the publication of Arnold’s remarkable essay that numerous theories about the function of criticism has been constructed and more so in our own age. After Arnold the modern critic unlike their predecessors have theorized more about the role and the function of the critic than about the role of an artist.

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  • Eliot’s concept of the “unification of sensibility” is standing for his preference for the metaphysical poets. And”dissociation of sensibility” for his antipathy for Milton’s poetry and the poetry of the Victorians. Yet it is not enough to dismiss these concepts, for they bear a direct relationship with Eliot’s concept of poetry. These two phrases occur in his essay on metaphysical poets in whose poetry there existed a unification of sensibility and after them a dissociation of sensibility sets in.

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  • Lecture Literary criticism - Lecture 1: Introduction to literary criticism. The contents of this chapter include all of the following: Purposes of literaly criticism, approaches in literary criticism, historical/biographical approach, moral/philosophical approach,...

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  • Lecture Literary criticism - Lecture 2: Plato. The contents of this chapter include all of the following: Plato’s life, peloponessian war, Socrates’s death, Plato’s academy, Sophists, Sophist’s agenda, Sophist’s belifes, Socrates v/s Sophists,...

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  • The contents of this chapter include all of the following: Plato’s argument against poetry, the argument, theory of form, poets & dramatists, philosophers & forms, art is thrice removed from reality, illusionary nature of visual arts,...

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  • The contents of this chapter include all of the following: Plato’s attack on “art”, Aristotle’s early life, the lyceum, works, focus of poetics, focus of poetics, influence of poetics, poetry, tragedy, unity of plot, unity of plot,...

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  • The contents of this chapter include all of the following: Aristotle’s purpose to approach poetry from a scientific viewpoint, first he lists different kinds of poetry poetry, tragedy, comedy, dithyrambic, flute-playing, lyre-playing, all kinds of poetry are mimetic but there are differences in them.

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  • The contents of this chapter include all of the following: All plots move from beginning to end in probable or necessary sequence of events, a simple plot does so without peripeteia whereas a complex plot involves anyone or both, the best kind of peripeteia is followed by anagnorisis or vice versa, peripeteia & anagnorisis should be necessary or probable consequence of what came before so that they are part of plot.

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  • Milton composed his early verse in Latin,in the fashion of a classically educated person. In 3rd year at Cambridge he expresses his desire to abandon such fashionable poetry in order to write in his native language. Like Homer & Virgil before him.Milton would be the epic poet of the English national.

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  • A greater work calls for greater care. A poem, which considered with respect to design may claim the first place and with respect to performance may claim the second place among the productions of human mind.

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  • Of “paradise regained” the general judgment seems to be right,that is in many parts elegant and everywhere instructive. It was not to be supposed that the writer of “Paradise Lost” could ever write without great effusions of fancy and exalted precepts of wisdom. The basis of “Paradise regained” is narrow a dialogue without action can never please like a union of the narrative and dramatic powers. Had this poem been written not by Milton but by some imitator it would have claimed and received universal praise.

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  • A poem,which considered with respect to design may claim the first place and with respect to performance may claim the second place among the productions of human mind. Writing an epic poem requires the assemblage of all the powers which are singly sufficient for other compositions. Epic poetry teaches the most important truths by the most pleasing precepts,and therefore relate some great truth in the most affecting manner.

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  • Lecture Literary criticism - Lecture 14: Classical criticism. A classic should comprehensively represent the spirit of the nationality it belongs to and have some claim to universal meaning as well to deal with the questions of general philosophical importance.

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  • Wordsworth was the first to give a new turn to discussion as the nature of poetry by connecting it with feeling and making it dependent upon imagination. His views on language and poetic diction are even more strikingly original.They were so original,indeed that they provoked much criticism when they were first produced.

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