Working with maya

The main contents of this chapter include all of the following: Shaders/Materials; working with color particle: color, expression, expression shader,...; Which type Particle, we can use texture; create textures on Adobe Photoshop; apply textures to particles;...

23p tangtuy02 06-03-2016 36 2   Download

Lab 3 - Emitters. The main contents of this chapter include all of the following: What is Emitters? Emitter tool; working with type Emitters: omni, directional and volume; create emitters from object; the spacecraft flight; open water tap.

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Lab 4 - Field & collision effect. In this chapter, the following content will be discussed: What is field? How to add dynamic field? Work with fields, what is collision effect? Make collide? Make particle collision events, creating waterfalls, rain on car.

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11 Confi dential information In order for these terms and conditions to be complete and comprehensive, confi dentiality should be included here even if you’ve already signed a separate confi dentiality and non-disclosure agreement (perhaps during your very fi rst meeting with the client). Depending on the type of work that you do, you may want confi dentiality and non-disclosure to be mutual so that your own proprietary information is protected as well.

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After the wild success of Maya: Secrets of the Pros, we began thinking about the future of the Secrets books. Although it was originally conceived as a single, stand-alone work, it was obvious that a large audience was hungry for information from those who do professional 3D work on a day-to-day basis and that we should feed this appetite! Many “second edition” books are simple rewrites of the previous title; not so with Maya: Secrets of the Pros, Second Edition.

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I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book.

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Advanced Maya Texturing and Lighting- P17: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

18p venus246 24-09-2010 125 14   Download

Advanced Maya Texturing and Lighting- P16: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 66 14   Download

Advanced Maya Texturing and Lighting- P15: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 74 13   Download

Advanced Maya Texturing and Lighting- P14: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 73 15   Download

Advanced Maya Texturing and Lighting- P13: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 90 15   Download

Advanced Maya Texturing and Lighting- P12: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 84 16   Download

Advanced Maya Texturing and Lighting- P11: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 94 12   Download

Advanced Maya Texturing and Lighting- P10: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 99 16   Download

Advanced Maya Texturing and Lighting- P9: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 84 17   Download

Advanced Maya Texturing and Lighting- P8: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 78 17   Download

Advanced Maya Texturing and Lighting- P7: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 82 17   Download

Advanced Maya Texturing and Lighting- P6: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 104 17   Download

Advanced Maya Texturing and Lighting- P5: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 98 17   Download

Advanced Maya Texturing and Lighting- P4: I should stress that I am self-taught. In 1994, I sat down at a spare seat of Alias PowerAnimator 5.1 and started hacking away. After several years and various trials by fire, 3D became a livelihood, a love, and an obsession. Along the way, I was fortunate enough to work with many talented artists at Buena Vista Visual Effects and Pacific Data Images. In 2000, I switched from PowerAnimator to Maya and have since logged tens of thousands of hours with the subject of this book....

30p venus246 24-09-2010 129 16   Download