Thesis for the degree of Doctor of Philosophy: Drawing practice reimaging Australian nationalistic iconography
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The research draws, in theory and practice, on Australian colonial and Federalist art tropes, philosophies of national identity, and the contemporary practices of artists who address national critique. The methodological and conceptual spaces employed in the researchmaking of the project are re-enacted in the open and divergent installation of it, and the viewing encounter. The project seeks to re-position identity construction from something received to something personally enacted and renewable, drawing on subjective experiences and histories.
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