# ADOBE PHOTOSHOP FOR UNDERWATER PHOTOGRAPHERS- P1

Chia sẻ: Cong Thanh | Ngày: | Loại File: PDF | Số trang:15

0
48
lượt xem
6

## ADOBE PHOTOSHOP FOR UNDERWATER PHOTOGRAPHERS- P1

Mô tả tài liệu

ADOBE PHOTOSHOP FOR UNDERWATER PHOTOGRAPHERS- P1: In a matter of a few short years, the underwater digital camera went from a novelty item to the predominant method for taking underwater pictures. Never before has a technology advanced so rapidly. Thanks to digital, though, underwater photography has evolved into a shootto- edit process.

Chủ đề:

Bình luận(0)

Lưu

## Nội dung Text: ADOBE PHOTOSHOP FOR UNDERWATER PHOTOGRAPHERS- P1

1. Left—In the main printer menu, you should set the media type, the color mode, and check ink levels. If you try the Auto- matic mode and are dissatisfied with the print quality, try selecting the Custom set- ting. It has a submenu that will offer more advanced options. Below—When you are in the Custom or Advanced printing menu, you are given controls for image quality, printer speed, color adjustments, contrast, and saturation controls. Once you have a test print that looks good, save the settings to a file name that best describes the type of print job. 210 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS
3. Top—When we turned the Gamut Warning on, we found that there were colors that might not correctly display on output devices like printers. Above—The problem can easily be solved by going to the Mode command at the top of the editing screen and converting to CMYK to change the color display of the image. You can then print the CMYK file directly to a printer or con- vert it back to RGB to print. 212 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS
4. When using the AutoFX Photo- graphic Edges plug-in, you can copy and paste images into special premade templates. The program masks and then feathers the selec- tion for quick and easy creative print output. The images can also be scaled, rotated, and flipped in- side these templates. OUTPUT OPTIONS 213
5. Top—This film scan image was imported into Photoshop, then the AutoFX DreamSuite plug- in was applied. When the image was pasted into the 21/4 film template, it automatically creat- ed a negative and positive of the image and placed them side by side. Above—You can select from thousands of image frames when you load the onOne Image Frame plug-in. This plug-in creates a layer frame with a mask and allows you full blending control over the frame’s edges. 214 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS
6. DIGITAL SLIDE SHOWS A very popular method of presenting images today is with a computer-driven slide show program like ProShow Gold from www.photodex.com. These pro- grams enable you to take your still images, put them on a timeline, add transi- tions, music, narration, and then burn a DVD so you can present them on a TV screen or video projector. These programs make easy work of replacing the ol’ slide projector shows. The downside to computer-driven shows is that the large files used in the presentations can bog down the computer and cause it to run slow. The key is not using your full-resolution files, but rather to scale your images to match the required output resolution. Since the most common image size today for out- put from a computer is 1024x768, we highly recommend that you create a new slide show image directory called 1024. Resize Your Files. Create an Action that will resize your image down to a width of 1024 pixels and save it as a JPEG file directly into the new 1024 direc- tory. Run the Action on a second file, and recheck its file size. If everything is alright, then go to the File>Automate command and process all the image files from your main directory that you intend to use in your show. When you If you want to do a wide-screen video presentation, set your Crop tool to a Width of 16 and a Height of 9, crop your images, and save them to a wide-screen directory. OUTPUT OPTIONS 215
15. MASTER THE TECHNIQUES YOU NEED TO PERFECT YOUR UNDERW ATER PHOTOGRAPHS IN ADOBE PHOTOSHOP Jack and Sue Drafahl show you how to use INCLUDES: Adobe Photoshop—and a whole host of Using Levels and Curves to cor- plug-ins—to solve a wide range of unique rect color problems and improve image problems that underwater photogra- exposure and contrast phers often face. Ample before-and-after Techniques for removing back- images and screen shots make it simple to scatter, artifacts, and other learn each technique. distracting image elements Creating Actions and keyboard Amherst Media PUBLISHER OF PHOTOGRAPHY BOOKS ® shortcuts for high-speed under- water image editing PO Box 586 Buffalo, NY 14226 Working with RA image files W www.AmherstMedia.com for the ultimate in quality and control Compositing image elements, creating collages, and much more $39.95 USA$55.95 Canada #1825