Cultural heritage

Xem 1-20 trên 48 kết quả Cultural heritage
  • This volume is the first of a series on “Physical Techniques in the Study of Art, Archaeology and Cultural Heritage”. It follows a successful earlier publication by Elsevier (Radiation in Art and Archaeometry), also produced by the editors of this book, Dr David Bradley (Department of Physics, University of Surrey) and Professor Dudley Creagh (Director of the Cultural Heritage Research Centre, University of Canberra).

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  • In this Volume 2 of the series on the use of physical techniques for the study of art, archaeology, and cultural heritage, we continue our policy of choosing topics from widely different fields of cultural heritage conservation. Also, we have chosen authors both in their early and late careers. In Chapter 1, Dudley Creagh writes on “Synchrotron radiation and its use in art, archaeometry, and cultural heritage studies”. He is Professor and a Director of the Cultural Heritage Research Centre at the University of Canberra, Canberra, Australia....

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  • Laura Graham (2006) recently wrote that anthropologists are obligated to promote human rights and social justice. Her call to action, especially among vulnerable communities, is one felt in many disciplines. We take particular pleasure in the range of fields represented in this volume on cultural heritage and human rights: anthropology and archeology (Hugo Benavides, Jan French, Charles Orser, Anne Pyburn, Helaine Silverman, Laurajane Smith, Larry Zimmerman), architectural and landscape history (D. Fairchild Ruggles), landscape architecture and geography (James L. Wescoat, Jr.

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  • The main types of archaeological relics such as ancient trade ports, sunken ships and shipyards are found sufficiently in the two provinces. In terms of date and origin, there is a diversity of the archaeological artefacts, including the ceramic, the stone, the iron and the wooden ones. Due to the present demands for people’s life and local economic development, the cultural heritage is getting damaged more and more seriously.

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  • The combination of Vietnamese people protecting heritage and the contributions of EFEO scientists helped many valuable cultural and historical monuments of Hanoi capital not be destroyed. Notably, research experience of conservation and policy recommendations from EFEO scientists are valuable lesson in the field of management, conservation and promotion of Vietnamese historical and cultural heritage values today.

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  • Lên đồng or hầu bóng is a multimedia performance genre, combining ritual and theatre, music and song, costume and custom, dance and trance. It can best be understood as a special form of “cultural performance,” as described by anthropologist Milton Singer. For Singer, conducting his research in Madras, members of Indian culture “thought of their culture as encapsulated in these discrete performances, which they could exhibit to visitors and to themselves” (Singer 1972:71).

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  • Tuyển tập các báo cáo nghiên cứu khoa học ngành toán học được đăng trên tạp chí toán học quốc tế đề tài: System for fast lexical and phonetic spoken term detection in a Czech cultural heritage archive

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  • Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài: Editorial Image and Video Processing for Cultural Heritage Vincent Charvillat,1 Anna Tonazzini (EURASIP Member),2 Luc Van Gool,3, 4 and Nikos Nikolaidis (EURASIP Member)5 1 IRIT,

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  • Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài:Research Article Augmented Reality for Art, Design and Cultural Heritage—System Design and Evaluation

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  • Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài: Research Article Multimedia in Cultural Heritage Manuscripts: Integrating Description, Transcription, and Image Content

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  • Objective of study of the thesis is to clarify theoretical and practical issues of the preservation and promotion of cultural heritage; analyze, evaluate the actuality of preservation and promotion of cultural heritage in TTH at present; on that basis, propose some solutions to enhance.

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  • Research and clarify theoretical issues related to the rational exploitation TWCHs. Systematize argument structure about TWCHs, determine the characteristics of TWCHs, provide a theoretical basis for rational exploitation TWCHs to develop tourism. Identification of criteria and indicators for assessment of the rational exploitation TWCHs. Analysis and reviewing of tourism development in Central Area, tourism exploitation of TWCHs and logical reviewing of current exploitation TWCHs. Proposal direction and solutions logicalfor TWCHs to develop tourism for Central Area in the future.

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  • In the contemporary social context with a lot of changes in the Central Highlands, however, cultural heritage generally and communal houses particularly in the Central Highlands have been changing variously and causing multi-interactions with social life and development. The article based on the current situation and fieldwork data in 5 provinces of the Central Highlands in 2013 and 2014, we are describing the actual changes as a follow-up and essential supplementation to the source of literature on communal houses in the Central Highlands.

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  • While the purview of digital forensics was once specialized to fields of law enforcement, computer security, and national defense, the increasing ubiquity of computers and electronic devices means that digital forensics is now used in a wide variety of cases and circumstances. Most records today are born digital, and libraries and other collecting institutions increasingly receive computer storage media as part

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  • After studying this chapter you will be able to understand: Important to jazz are the emphasis on rhythm taken from African music, harmonies taken from European music, melodies added by the improvisation from the American culture, all these elements fuse to make jazz an American music rather than a music solely of the African Americans (who remain its pioneers and innovators).

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  • The authors of this paper all have experience working in the heritage sector. Sandra Prosalendis, the project leader, was director of the District Six Museum from 1994 to 2002. Harriet Deacon, freelance researcher, was research co-ordinator at Robben Island Museum from 1999 to 2002. Sephai Mngqolo has been working in various capacities at the McGregor Museum, Kimberley, since 1982. He is currently head of the Museum’s Living History Department.

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  • Vietnam has a history of thousands years. During the process of national foundation and defense, Vietnam has encountered innumerable difficulties in the resistance wars against aggressors, the territorial expansion, and the conquest of the sea, in order to gain national development and leave heritage of cultural diversity and humanity with particular identity for the next generations.

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  • Preamble Through the millennia of their history the Vietnamese people have worked hard and creatively and fought valiantly to build and safeguard their country, in the course of which the nation's tradition of unity, humanity and of staunch and indomitable struggle has been forged and its cultural heritage built and nurtured.

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  • The international Colloquium “Open Issues in Local Star Formation and Early Stellar Evolution” was held in Ouro Preto (Brazil) from April 05 to 10, 2003. The Colloquium took place in the “Parque Metal´urgico”, an old iron industry that has been transformed into a nice modern conference center. Ouro Preto is a 18th century colonial city that has been declared a Cultural Heritage of Mankind in 1980. It is situated in the hills of the State of Minas Gerais at about 100 km from Belo Horizonte....

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  • The three individuals that have themost control over the final appearance of a filmare the director, the cinematographer, and the editor. The 160 films we have analyzed hadmore than 400 different such individuals, and each of themoften led teams of considerable size. Thus, popular films are a collective and collaborative product, and the causes for the general changes in film over time as shown in Figure 1 can only be sociological, even cultural.

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