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Cultural symbol
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The study revealed that through commemorative reference to local inhabitants, culture, and history and the promotion of awareness of the art and identification with it, the most critical mission is to promote man’s quality of life and implications for online learning and teaching are provided.
15p
vialicene
02-07-2024
0
0
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Identifying the genius loci element is understanding and seeing the outstanding features of the space where people live, which is the first step towards identifying a specific place or location. It can be geographically, culturally, socially and environmentally symbolic of a land or locality.
4p
vioracle
25-09-2023
3
2
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Artistic symbols in sculptural language contribute to clarifying the architectural works to which they are attached. These symbols help us to identify the function of the architectural work from a long view. Belonging to the architecture under the Nguyen Dynasty, the artistic symbols still have a profound influence to this day.
11p
vistarlord
15-06-2023
3
1
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Ebook An anthropology of indirect communication: Part 1 presents the following content: Chapter 1: Communicational distortion and the constitution of society: indirection as a form of life; Chapter 2: On the ontological status of honour; Chapter 3: Not talking about sex in India: indirection and the communication of bodily intention; Chapter 4: Talk, silence and the material world: patterns of indirect communication among agricultural families in northern England; Chapter 5: Eating your words: communicating with food in the Ecuadorian Andes; Chapter 6: Sunglasses, suitcases and other symbol...
157p
runthenight08
12-04-2023
3
2
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The analysis of cultural representations in the three textbooks shows an outstanding feature in imported English textbooks to Vietnamese educational market. The books are highly localized with a lot of real-life images, texts or cultural artifacts of Vietnamese culture.
3p
vilucius
15-03-2023
7
5
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This study examined 104 samples of Vietnamese banknotes from 1945 to the present. The findings from the study showed that the Vietnamese images are associated with the national cultural identity, history, and the revolution. The symbolic meaning of the human image on Vietnamese banknotes: Symbolizing patriotism, the strength of national unity, and the beauty of the Vietnamese people.
12p
vihennessey
26-09-2022
18
2
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The thesis "China, a Hybrid Assemblage: Symbol, Metaphor, and Identity in a Mandarin Language Program" touches on many important issues related to China, Chinese people, culture and traditions in both Chinese and Australian contexts. Like “lines of flight”, each theme raised in this thesis can be further developed into a new research project.
305p
runordie3
06-07-2022
3
1
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This paper focuses on the artistic benefit for the audience in arts and culture consumption. This benefit is defined as the feeling of being part of the artistic process and it is generated by participatory dynamics and value co-creation. The artistic benefit interacts with other benefits (functional, symbolic, emotional, social) that are involved in the performing arts experience.
16p
mudbound
06-12-2021
7
1
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The Isan people believe theThaen is the supreme God. Thaen created the earth and all things. Thaen is the Holy Spirit, powerful, destiny and protector of human. The part of Isan culture influenced to believe about the Thaen such as Bun Bang Fai tradition (rocket festival), kite playing, Bai Sri Su Kwan (Thai blessing ceremony), exorcise unlucky and Lum Phi Pha (necromancy). These activities are symbols of relations between Thaen and Isan people. These cultures and traditions, they still believe that the behavior of some animals is the communication of the Thaen to the human world.
5p
huyetthienthan
23-11-2021
13
2
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Research purposes: This thesis seeks to contribute to the collection and publicity of Thai folk literature treasure, to find out the historical and cultural values hidden in the treasure of place-name tales of Thai people in Vietnam, thereby point out the constants, the symbolic ways of thinking of the people through the symbolic world formed in the tale.
26p
thebadguys
08-06-2021
20
3
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Chapter 12 - Leadership of culture, diversity, and the learning organization. The following will be discussed in this chapter: The power of culture, distinguish between a weak and strong culture, low and high performance cultures, symbolic and substantive leadership actions, the four cultural value types, framework for understanding global cultural value differences, primary reasons for embracing diversity, leader’s role in creating a diverse culture, leader’s role in creating learning organization.
44p
lovebychance02
04-05-2021
26
3
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Upon completion of this lesson, the successful participant will be able to: Understand why shaping culture is a critical function of leadership; recognize the characteristics of an adaptive, as opposed to an unadaptive, culture; understand and apply how leaders shape culture and values through ceremonies, stories, symbols, language, selection and socialization, and daily actions;…
26p
koxih_kothogmih2
20-08-2020
21
3
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After studying this chapter you will be able to understand: Omnipotent view of management, symbolic view of management, the organizational culture, how employees learn culture?
22p
nanhankhuoctai10
23-07-2020
17
1
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During the UNESCO meeting from September 28th to October 2nd, 2009 in Abu Dhabi (United Arab Emirates), Indonesian Batik costumes were honored as Intangible Cultural Heritage of humanity. And, to receive this event, also on October 2nd, all Indonesian people unanimously wore Batik clothes.
6p
viputrajaya2711
18-06-2020
11
1
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Wole Soyinka’s Death and the King’s Horseman is the convergence of two issues: the first focuses on the Yoruba priest Elesin, who represents the embodiment of the mythology and the history of the people; the second concentrates on the “sterile, existential wasteland” (Ralph-Bowman, 1983) of the white colonialists. The two issues come into conflict in the sacrifice of Elesin’s European-educated son, Olunde, whose death represents a significant and uncompromising affirmation of Yoruba cultural tradition.
6p
angicungduoc1
02-12-2019
17
1
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Trên cơ sở lý thuyết về biểu tượng luận (symbolism) và văn hóa so sánh (comparative culture theory), bài viết này tập trung phân tích nét tương đồng và khác biệt giữa lễ hội Ok Om Bok với các lễ hội của Ấn Độ. Từ đó, nhận diện dấu ấn văn hóa Ấn Độ trong lễ hội cúng trăng của người Khmer với lớp văn hóa chịu ảnh hưởng Hindu giáo và Phật giáo từ Ấn Độ.
15p
vicross2711
27-06-2019
100
13
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Cultural symbols are each race’s moral and spiritual values or those of their belief. The symbols always consist of meanings of things or phenomena. Among cultural symbols of ethnic groups in Tay Nguyen (the Central Highlands) are the noun “ơi Adai”, the Rông house (communal house), gongs, the musical instruments of Tơrưng, Đinh Pă, the drum, gùi (open backpack), the rice ear, gơl column, buffalo lasso, axe blade, patterns of brocatelle, the gourd… The symbols have been acculturated with Catholicism and Protestantism.
7p
thanos1
16-05-2018
34
1
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Learning objectives of this chapter include: Understand why shaping culture is a critical function of leadership; recognize the characteristics of an adaptive, as opposed to an unadaptive, culture; understand and apply how leaders shape culture and values through ceremonies, stories, symbols, language, selection and socialization, and daily actions;…
12p
tangtuy14
02-06-2016
45
2
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The most dramatic and high-profile of world spectacles have been the modern Olympic Games and the men’s football World Cup, events owned by the International Olympic Committee (IOC) and FIFA (the governing body of world football). Such sporting encounters and contests have provided a source of and focus for the staging of spectacle and, in an era of international mass communications, the media event. The growth of FIFA and the IOC, and of their major events, has provided a platform for the articulation and expression of national pride and prestige.
273p
bunmang_1
04-05-2013
75
4
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According to Barthes it is especially the mechanical and thus objective status of photographic depiction – the photograph as a non-coded message – that enhances the myth of naturalness, because by its tight coupling with the depict- ed world it naturalises the symbolic layers of meaning. Furthermore, it is on the level of style that human interventions manifest themselves and a shift from the natural to the culturally coded occurs, thus triggering another layer of mean- ing. It was this notion of style that Barthes (2004: 47) described as the ‘third’ or ‘obtuse’ meaning.
11p
giamdocamnhac
06-04-2013
45
3
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