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Dramaturgical traditions
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This chapter presents the following content: Henrik Ibsen’s A Doll’s House, functions and characteristics of modern drama, the role of scandinavian drama, characters and characterization, Ibsen’s social rehabilitation, four cardinal sins of modern society,...
44p
larachdumlanat126
31-12-2020
16
5
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This chapter presents the following content: Dramatic structure of a doll's house, a conclusive talk on the doll’s house, an introductory talk: an overview of juno and the paycock, writer’s life and work, the play and its social significance.
43p
larachdumlanat126
31-12-2020
16
4
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Jingoism is extreme patriotism in the form of aggressive foreign policy. In practice, it is a country's advocacy of the use of threats or actual force against other countries in order to safeguard what it perceives as its national interests. Colloquially, it refers to excessive bias in judging one's own country as superior to others—an extreme type of nationalism.
95p
larachdumlanat126
31-12-2020
11
4
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This chapter presents the following content: Juno and the paycock tragi-comedy, Tragi-comedy, tragic theme, why tragi-comedy? co-existence of tragedy and comedy, mood transition, Juno and the paycock a feministic play,...
45p
larachdumlanat126
31-12-2020
11
3
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This chapter presents the following content: O’Caesy ‘s Works are a representation of contemporary influences: Nothingness, Hollowness and Purposelessness; Irish Civil war: jingoism; how it affects the society and the individuals; how it crushes the economy and the system; how it disintegrates the family structure; how it demolishes the psychology of the people and how it creates generation gap.
52p
larachdumlanat126
31-12-2020
12
3
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This chapter presents the following content: Feministic Work of O’Casy: Juno and Mary; Exploration of language in Juno and the Paycock; How to analyze, design and compose a character sketch? How to compose a critical reflection based on any idea/theme of Juno and the Paycock?
47p
larachdumlanat126
31-12-2020
7
3
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This chapter presents the following content: A conclusive talk on Juno and the Paycock, Waiting for Godot By Samuel Beckett, Samuel Beckett’s Biography, Characters in the Play, characters in the play, setting of the play, Beckett’s Theatrical concept and style.
45p
larachdumlanat126
31-12-2020
10
3
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This chapter presents the following content: Waiting for godot symbolism, imagery & allegory; setting; waiting for godot genre, tone, style & title; waiting for godot as booker’s seven basic plots analysis: tragedy plot; social acceptance of waiting for godot critical analysis.
52p
larachdumlanat126
31-12-2020
14
3
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This chapter presents the following content: An Introduction to Philosophical Background of Waiting for Godot, theatre of absurd, existentialism, the paradox of consciousness, becket: critical analysis (analytical mapping).
44p
larachdumlanat126
31-12-2020
22
3
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This chapter presents the following content: Analytical Mapping: Social Significance; philosophical background: themes (Social, Psychological, Religious); dramatic references: themes.
54p
larachdumlanat126
31-12-2020
13
3
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This chapter presents the following content: Plot type and analysis: development and structure, suspense, denouement, conclusion, literary devices in pygmalion, settings, pygmalion genre, tone, writing style, title, beginning and ending.
34p
larachdumlanat126
31-12-2020
16
3
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This chapter presents the following content: Plot type and analysis: development and structure; suspense; denouement; conclusion; literary devices in pygmalion; settings; pygmalion genre; tone; writing style; title, beginning and ending.
60p
larachdumlanat126
31-12-2020
13
3
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Beckett's theatre is stark, fundamentally minimalist, and deeply pessimistic about human nature and the human situation. Themes in plays include: mirroring own search for freedom, revolving around a young man's efforts to cut himself loose from his family and social obligations, life means waiting, killing time and clinging to the hope that relief may be just around the corner.
81p
larachdumlanat126
31-12-2020
15
3
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There is never any overt reference in the play to Pygmalion; Shaw assumes a classical understanding. According to the Mythology Guide “Pygmalion saw so much to blame in women that he came at last to abhor the relation with them, and resolved to live unmarried. He was a sculptor, and had made with wonderful skill a statue of ivory, so beautiful that no living woman could be compared to it in beauty.
71p
larachdumlanat126
31-12-2020
15
3
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This chapter presents the following content: Plot overview, genre, general vision, cultural context, the play as reflection of social and personal influences, the play’s title vs. context: reference and relevance, themes/issues.
35p
larachdumlanat126
31-12-2020
25
2
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Two men, Vladimir and Estragon, meet near a tree. They converse on various topics and reveal that they are waiting there for a man named Godot. While they wait, two other men enter. Pozzo is on his way to the market to sell his slave, Lucky. He pauses for a while to converse with Vladimir and Estragon. Lucky entertains them by dancing and thinking, and Pozzo and Lucky leave.
21p
larachdumlanat126
31-12-2020
14
2
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The two most important sets of characters in the play occur in pairs. Does this emphasis on pairs create some significance for the boy, who appears alone? Vladimir and the boy discuss his brother; could this brother be the boy's pair? Perhaps the most important "character" in the play, Godot, is also a single character rather than a pair. Does this distinguish him from Vladimir and Estragon, Pozzo and Lucky? Does Beckett seem to prefer single characters or pairs?...
41p
larachdumlanat126
31-12-2020
8
2
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This chapter presents the following content: Absurdist drama, dialogue and language/humor of absurdist drama, plot & structure of absurdist drama, themes in waiting for godot, aspects to consider.
51p
larachdumlanat126
31-12-2020
6
2
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This chapter presents the following content: A conclusive talk; george bernard shaw; the myth behind the play; contextual background; george bernard shaw’s philosophy; plot overview; characters, role, relationship, conflicts & significance; themes and the major conflicts.
70p
larachdumlanat126
31-12-2020
11
2
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This chapter presents the following content: Plot type and analysis: development and structure, initial situation, conflict, complication, climax, suspense, denouement, conclusion, literary devices in pygmalion, settings, pygmalion genre, tone, writing style,...
7p
larachdumlanat126
31-12-2020
8
2
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